[Topics: Evolutionary Biology, Logic, Logical Fallacy]
The Microevolution Fallacy:

How a Mistake in Formal Logic Provides Otherwise Scientific Minds a Basis for Denying Evolution

 

Introduction:

Alfred Russel Wallace - microevolution macroevolution - philosophy of evolution denial - I Don't Have Enough Faith to be an Atheist - Frank Turek and Norman GeislerToday’s article is fairly straightforward, as it deals with an exercise in philosophy’s bedrock: logic and argumentation. The actual content of what follows concerns the fields of biology and religious apologetics, but you don’t need any background in either in order to understand it. All that is required is an attention to the arguments themselves.

In particular, this article refutes a rebuttal that is present in religious apologetics in response to modern experimental evidence for evolution by natural selection[1]. But I’ll be focusing on the philosophical and logical angle, and leaving most of the relevant scientific responses in the footnotes.

In light of such evidence, one prominent response from those who seek to deny evolution as an account for speciation of all extant life (including humans) is to grant that such evolution occurs without granting that it occurs on a large scale; such an individual would contend that what has been proven is not evolution per se, but merely microevolution. But taking this path means committing a simple logical error by failing to follow a line of thinking to its conclusion.

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[Topics: Evolutionary Biology, Logic, Logical Fallacy]
The Microevolution Fallacy:

How a Mistake in Formal Logic Provides Otherwise Scientific Minds a Basis for Denying Evolution

was last modified: May 16th, 2017 by Daniel Podgorski

{Guest Post} [Film: Ghost in the Shell, Rupert Sanders, 2017]

Mostly Shell:

Explaining the Real Problems of the Live-action Ghost in the Shell

Introduction:

Ghost in the Shell movie poster - Rupert Sanders, Scarlett Johansson - white-washing, analysis, anime comparisonIt would be more apt for the new Scarlett Johansson movie, Ghost in the Shell, to go by another name or even another franchise; if so, it would be considered at least a decent sci-fi romp. Unfortunately, the writers of the film fundamentally failed to capture or even understand the spirit of the source material.

This is disappointing because the director and the art department has definitely captured the look and feel of the series even while taking their own interesting visual deviations as well. Nor is it any white-washing that dooms this film, as explained below. It is instead the stilted dialogue, safe plot choices, and horribly forced interpretations which hold this adaptation from being a true Ghost in the Shell adaptation.

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{Guest Post} [Film: Ghost in the Shell, Rupert Sanders, 2017]

Mostly Shell:

Explaining the Real Problems of the Live-action Ghost in the Shell

was last modified: April 28th, 2017 by Alec Brouillette

[Film: Arrival, Denis Villeneuve, 2016]
Life Willed at every Second:

Denis Villeneuve’s Arrival and Friedrich Nietzsche’s Eternal Return of the Same

 

Arrival movie poster - analysis - Denis Villeneuve - Friedrich Nietzsche - eternal recurrence

Introduction:

The 2016 film ArrivalArrival analysis - Denis Villeneuve - eternal recurrence - Friedrich Nietzsche, directed by Denis Villeneuve and based on Ted Chiang’s short story “Story of Your Life,” shares much with the tone of the cerebral and philosophically adventurous science-fiction from twentieth-century speculative-fiction masters like Isaac Asimov, Arthur C. Clarke, and Rod Serling. Helmed by Villeneuve, Arrival’s simultaneous full command of modern moviemaking practices as well as fidelity to that earlier era’s penchant for respecting the intellect of its audience make it an excellent film.

But as much as Arrival’s modern touches and classic style make for profuse praiseworthy and analytical fare—and have featured in reviews, essays, and explanations aplenty—it’s another relationship that I haven’t seen mentioned anywhere that interests me more: the overlap between the premise of Arrival and a philosophical concept known as ‘eternal recurrence’ or ‘eternal return of the same’ that was most famously championed and explored in western philosophy by Friedrich Nietzsche. Both ultimately come around to raising the same notion: what would it mean to actively, enthusiastically, and fully will every moment of one’s life?

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[Film: Arrival, Denis Villeneuve, 2016]
Life Willed at every Second:

Denis Villeneuve’s Arrival and Friedrich Nietzsche’s Eternal Return of the Same

was last modified: March 16th, 2017 by Daniel Podgorski

Building The Gemsbok PC

 

Introduction:

The video above is a walkthrough of building my desktop PC in October of 2016. Unlike all other pages on this site, this resource is available as a video only. But for some added value I’ve got more thorough lists of parts and sites below than are available in the video’s description box.

I mistakenly say that the RAM is DDR4-2133 when it is in fact DDR4-2400; there are a few audio glitches from the upload process; and I neglect to mention a couple of installed peripherals like my webcam and speakers. But otherwise the video gives a pretty clear picture of the PC build process.

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Building The Gemsbok PC was last modified: March 2nd, 2017 by Daniel Podgorski

[Game: Puzzle Link 2, Yumekobo, 2000]
Integrated Game Goals:

On Yumekobo’s Puzzle Link 2, and the Potential Simplicity of Good Game Design

 

Introduction:

Puzzle Link 2 North American box art - Yumekobo, SNK - tile-matching puzzle game cardsYumekobo’s Puzzle Link titles are not well-known games in America (or maybe anywhere). Besides Puzzle Link having a Japan-only release for the original Neo-Geo Pocket, Puzzle Link and Puzzle Link 2 were released exclusively on a little-known handheld console called the Neo-Geo Pocket ColorPuzzle Link 2 - Yumekobo, SNK - tile-matching puzzle game cards, which was made by SNK. In fact, the North American release of Puzzle Link 2 preceded the console’s discontinuation in America by a mere two months. For today’s article, I’ll be discussing and recommending the sequel—because it is similar to the original, but with a few very important improvements (some of which I’ll detail below).

Although Puzzle Link 2—like its predecessor and like many other Neo-Geo games—was well-received by critics at the time, the combination of its timing and the Neo-Geo Pocket Color’s tiny little share of the North American handheld console market means that the vast majority of gamers in my country have never heard of it, let alone played it.

But I was part of that minority share of the market, and I played it quite a bit when I was younger. And I think more people should know about it, because upon reflecting I figured out what made the gameplay such fun. So I decided to write this article on how Puzzle Link 2 builds compelling puzzle gameplay simply by establishing three complementary, concurrent player goals.

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[Game: Puzzle Link 2, Yumekobo, 2000]
Integrated Game Goals:

On Yumekobo’s Puzzle Link 2, and the Potential Simplicity of Good Game Design

was last modified: May 18th, 2017 by Daniel Podgorski