The notion of an overarching, providential justice overseeing and directing all human events, while out of vogue in modern philosophy, remains a huge influence on popular culture. That this sort of determined or corrective justice acts not just generally across time, but within a given life, is a particularly attractive thought to the fictive tales of the film industry. The reasons for this are myriad, bringing to both content creators and audiences an appeasement of their desire to see good things happen to good people; their desire to see bad things happen to bad people; and their desire to witness miraculous or incredible events.
The 2009 Academy Award winner for Best Picture (and other categories) was Slumdog Millionaire, a case-in-point of the populace’s penchant for fictionalized treatments of karmic justice, as directed by Danny Boyle. This concept of overarching justice can be understood by its relation to the philosophical topic of internal meaning. For a human life to have internal meaning, it must be good for the person who lives it and it must include worthwhile activities (for a more detailed account of meaning, see this encyclopedia entry). Ultimately, Slumdog Millionaire seems to put forward a short-sighted account which contends that a life can be internally meaningful if it contains worthwhile activity and if, by way of some kind of providence, it ends up being good for the person who lives it.
All’s Unwell that Only Ends Well: