{Guest Post} [Film: After Life, Hirokazu Koreeda, 1998]

The Wonder of Life:

How Hirokazu Koreeda Uses Narrative Techniques to Control his Audience’s Perceptions in After Life

 

(The nature of this article is such that it requires spoiling basic plot details of After Life, so you should only continue reading after this paragraph if you either do not mind spoilers or have already seen the film. – The Gemsbok)

 

After Life movie poster - Hirokazu Koreeda - restricted narration, subjectivity, objectivity

Introduction:

The meaning of existence, the value of time, and the nature of life after death are explored in countless forms of cultural production, ranging from novels to advertisements; however, one unique Japanese film called After Life takes its audience into the realm between life and afterlife.

Slated for a one week deadline, twenty-two dead clients are in search of a single memory to carry into eternity while caseworkers reproduce each unique experience onto film. By manipulating the audience’s range and depth of knowledge, director Hirokazu Koreeda successfully enlists mainly restricted and subjective narration to construct the narrative structure of After Life.

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{Guest Post} [Film: After Life, Hirokazu Koreeda, 1998]

The Wonder of Life:

How Hirokazu Koreeda Uses Narrative Techniques to Control his Audience’s Perceptions in After Life

was last modified: August 26th, 2016 by Vivien Le