Two weeks ago (before The Gemsbok’s brief holiday hiatus) the topic of your Tuesday Tome was a piece of later medieval writing under the title of Sir Gawain and the Green Knight. I argued that aspects of Sir Gawain‘s structure (and treatment of character placement) serve as a window into the complex and proto-modern gender relations of the medieval period, and so people ought not, as seems rather common to me, be so quick to dismiss that period as some kind of primitive dark era of history.
Prior to that, I have also written on the insight into cyclical violence between factions that can be gained by reading Beowulf. Today I would like to continue this trend of showcasing the vitally relevant and fascinating discussions and lessons that can be gleaned from works of medieval literature by taking a look at what just one segment of Geoffrey Chaucer’s The Canterbury Tales reveals about Chaucer’s larger project of subjectification across disparate social strata.
Puppetry and the “Popet:”