[Film: Jackie Brown, Quentin Tarantino, 1997]
Tarantino’s Odd Film Out:

The Uniqueness of Quentin Tarantino’s Jackie Brown

 

Introduction:

Quentin Tarantino Sketch by M.R.P. - Jackie Brown - unique

Caricature Sketch by M.R.P.
[High-res prints available here]

Just like this week’s Mid-Week Mission, this will be a light recommendation to follow last week’s heavier entry (in the Theater’s case, last week was a criticism of the inconsistent philosophy of Slumdog Millionaire). And the film which I would like to recommend is Quentin Tarantino’s Jackie Brown.

Jackie Brown┬áis certainly one of the two or three least viewed works in Tarantino’s catalogue, and it’s not hard to see why. Tarantino followed up two extremely violent dramas full of fast, aggressive dialogue with a slow-paced, traditionally structured heist movie. Jackie Brown centers on a stalwart stewardess and a cautious clerk, while relegating Robert De Niro and Samuel L. Jackson to roles as sleazy, unlikeable criminals.

In short, the movie was not at all what the audience was expecting, and was soon over-shadowed by the grandeur and gratuitousness of Kill Bill. But this is a film every bit as entertaining as his others, and totally unique in his oeuvre for many reasons, explored below.

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[Film: Jackie Brown, Quentin Tarantino, 1997]
Tarantino’s Odd Film Out:

The Uniqueness of Quentin Tarantino’s Jackie Brown

was last modified: December 21st, 2017 by Daniel Podgorski