(The nature of this article is such that it requires spoiling basic plot details of After Life, so you should only continue reading after this paragraph if you either do not mind spoilers or have already seen the film. – The Gemsbok)
Introduction:
The meaning of existence, the value of time, and the nature of life after death are explored in countless forms of cultural production, ranging from novels to advertisements; however, one unique Japanese film called After Life
Slated for a one week deadline, twenty-two dead clients are in search of a single memory to carry into eternity while caseworkers reproduce each unique experience onto film. By manipulating the audience’s range and depth of knowledge, director Hirokazu Koreeda successfully enlists mainly restricted and subjective narration to construct the narrative structure of After Life.
The Wonder of Life:
![[Work: The Stranger, Albert Camus, 1942] Smiling While Despised: The Ending of Albert Camus' The Stranger and the Beginning of Authenticity](https://i1.wp.com/thegemsbok.com/wp-content/uploads/2015/11/The-Stranger-book-cover.png?fit=262%2C400&ssl=1&resize=200%2C200)
![[Game: Terraria, Re-Logic, 2011] Yes Half Measures: 5 Reasons You Should Play Terraria on Mediumcore Difficulty](https://i0.wp.com/thegemsbok.com/wp-content/uploads/2016/03/Terraria-screenshot-with-home-base.jpg?fit=1045%2C1200&ssl=1&resize=200%2C200)
![[Film: Sunset Boulevard, Billy Wilder, 1950] Conflated Requiems: The Flawless, Eery Use of the Protagonist Narrator in Billy Wilder's Sunset Boulevard](https://i2.wp.com/thegemsbok.com/wp-content/uploads/2016/05/Sunset-Boulevard-movie-poster.jpg?fit=245%2C350&ssl=1&resize=200%2C200)
