[Work: The Denial of Death, Ernest Becker, 1973]
The Denial of Life:

A Critique of Pessimism, Pathologization, and Structuralism in Ernest Becker’s The Denial of Death

 

Ernest Becker Sketch by M.R.P. - The Denial of Death - critique, criticism, analysis

Caricature Sketch by M.R.P.
[High-res prints available here]

Introduction:

One of my more unexpectedly disappointing experiences in recent memory was reading Ernest Becker’s seminal work of psychoanalytic theory and cultural anthropology, The Denial of Death. Humanity’s obsessive self-distraction and self-delusion on the topic of mortality is something in which I am deeply interested, which is why numerous people had recommended the book to me over the years. With the unmitigated praise (and prestigious accolades) the work has received, I was excited to read what I assumed would be a stirring philosophical and cultural analysis of the titular concept.

The Denial of Death does make a very good first impression, as Becker is an erudite scholar and (drawing on the work of Otto Rank) a subtle interpreter of the theories of Sigmund Freud. But concealed behind the parade of theorists and the solid analytical prose (seemingly consciously concealed) is an old-fashioned, moralizing, pessimistic set of theses: that humanity is in denial of mortality because of a ‘necessary’ denial of the human body and reality; that humanity can only exorcise the dread of death by embracing blind faith and rooting out ‘aberrant’ thoughts and behaviors; and that death can only be truly faced by those who approach the study of humanity and society through a (reductive) structuralist lens.

I think all three notions are shockingly misguided and false, to the extent that I almost see the widespread adoration of the work as either a defensive scenario (where folks who are unable to follow the thread of Becker’s argument praise it, for fear of having to admit their ignorance) or an ironic phenomenon of self-assured conservatism (wherein tradition-biased academics embrace the work because it pats them on the back and insists that only they have already conquered death). While The Denial of Death does certainly have praiseworthy merits, those merits have been stated and overstated across the decades. Thus, in this article I shall explain Becker’s project with special emphasis on its flaws, by addressing each of those three aforementioned theses in turn.

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[Work: The Denial of Death, Ernest Becker, 1973]
The Denial of Life:

A Critique of Pessimism, Pathologization, and Structuralism in Ernest Becker’s The Denial of Death

was last modified: October 21st, 2019 by Daniel Podgorski

[Work: The Art of Risk, Kayt Sukel, 2016]
Risk Defended:

On the Focused Insights and Leisurely Presentation of Kayt Sukel’s The Art of Risk

 

Introduction:

Joueurs de Cartes by Theodoor Rombouts - The Art of Risk - Kayt Sukel - method, style, review

Joueurs de Cartes by Theodoor Rombouts

The hours of work I spend on relatively tedious tasks, such as the manual optimization of image dimensions on this site, are often lightened by listening to free online courses on various topics. This past week, I have been retreading the basics of personal finance in this course by Andrew Hingston. How poetic, then, that I should have stumbled across and begun listening to a course which often speaks of risk management and risk minimization, when I was already in the midst of reading a defense of our risky behaviors: The Art of Risk: The New Science of Courage, Caution, and Chance by psychologist Kayt SukelThe Art of Risk - Kayt Sukel - method, style, review.

Both individuals are students, to some degree, of behavioral economics—as formulated by, among others, Nobel laureate Daniel Kahneman. But their application and incorporation of such insights into their own worldviews are divergent. Whereas in his course Hingston shifts his perspective toward financial priorities so that one can analytically control one’s emotional experiences, Sukel accepts research on risk-taking as an opportunity to offer a naturalistic—even rational—account of risky decision-making. So now, setting other scholars aside, I would like to evaluate Sukel’s book, first for its method and then for its style.

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[Work: The Art of Risk, Kayt Sukel, 2016]
Risk Defended:

On the Focused Insights and Leisurely Presentation of Kayt Sukel’s The Art of Risk

was last modified: April 25th, 2016 by Daniel Podgorski