Tag Archives: video game review

[Game: prog.1, Vector Arcade, 2016]
Pithy Platforming:

On the Strong Visual Design, Strong Thematic Gameplay, and Light Content of prog.1

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prog.1 screenshot with late-game level - Vector Arcade

Introduction:

Today I am writing about a somewhat unique take on a common indie gaming design trope: casting the player in the role of a computer program. It worked for A Virus Named Tom and it worked for Thomas Was Alone; but does it work for Vector Arcade’s new platformer prog.1?

I played through all 48 of prog.1‘s levels three times prior to writing this review (my reasons for doing so are available below as well), and I am ready to provide my assessment. The general form of my experience with the game is that I am mostly pleased with it. I enjoyed the gameplay, loved the visual design, and found the story energetic. But I also found the game light on content and had a number of minor nitpicks.

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[Game: prog.1, Vector Arcade, 2016]
Pithy Platforming:

On the Strong Visual Design, Strong Thematic Gameplay, and Light Content of prog.1

 was last modified: January 7th, 2021 by Daniel Podgorski

[Game: Portal, Valve, 2007]
Thinking, with Portals:

Why Portal‘s Campaign is Superior to Portal 2‘s Campaign (in Tone and Design)

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Introduction:

I think it’s fairly trivial to say that Portal is a significant and influential franchise, and that both titles in the series are excellent experiences well worth the time of any player. In fact, I would go so far as to say that the original Portal is such a cohesive and nearly flawless gaming experience that it should be remembered alongside such other towering encapsulations of solid game design and execution as Shadow of the Colossus, the original Half-Life, and the first entry of the Dark Souls trilogy.

But my praise for Portal 2, while still extensive and enthusiastic, is simply nowhere near as unmitigated or unending as my praise for Portal. In terms of its narrative, Portal 2 opted for a lighter tone, with a heavy emphasis on blatant comedy which marred the established atmosphere of Portal and the established character of GLaDOS. Meanwhile, in terms of gameplay, Portal 2‘s single-player campaign opted for easier puzzles overflowing with a large number of lightly utilized new mechanics.

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[Game: Portal, Valve, 2007]
Thinking, with Portals:

Why Portal‘s Campaign is Superior to Portal 2‘s Campaign (in Tone and Design)

 was last modified: October 24th, 2024 by Daniel Podgorski

[Game: Transistor, Supergiant Games, 2014]
Red Pen:

On the Interestingly Deep yet Frustratingly Vague Plot of Supergiant Games’ Transistor

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Introduction:

It would be boring for me to simply say that Supergiant Games’ Transistor is a gorgeous-looking, wonderfully designed, mechanically fun, and brilliantly soundtracked title, even though all of that is true. It would be slightly less boring for me to defend Transistor‘s much-maligned brevity in the same spirit as I have defended other cheap, brief indie campaigns, even though I clearly would be willing to defend it. But the least boring thing for me to do, I feel, is to discuss the one area of the game that I am inclined to critique: Transistor‘s presentation of its plot.

Supergiant Games has an attraction to endings. And not just to the ending of games, but to the ending of worlds. Each of their wildly successful indie titles, Bastion and Transistor, has presented a vividly imagined world right around the moment of its ultimate demise (the world of Pyre had better watch its back). And I’ve loved this aesthetic decision in both cases. But in both cases the series of events leading up to the end of the world (and so leading up to the start of the game) is not easily discerned—which, in the oft-dense RPG genre, is saying something.

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[Game: Transistor, Supergiant Games, 2014]
Red Pen:

On the Interestingly Deep yet Frustratingly Vague Plot of Supergiant Games’ Transistor

 was last modified: November 8th, 2022 by Daniel Podgorski

[Game: The Sentient, Uncaged Studios, 2016]
Galactic Potential:

An Introduction to (and Cursory Assessment of) Uncaged Studios’ The Sentient

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(The article below remains in its original state for archival purposes, but work on The Sentient was abandoned by its developers in mid-2018, before it was completed and exited early access. As such, I am now forced to recommend that no one purchase the game. – The Gemsbok)

 

The Sentient screenshot with ship overview - Uncaged Studios - early access review

Introduction:

Alright, this is going to be a relatively brief article that doesn’t go into too much detail, as the game in question, Uncaged Studios’ The Sentient, is very early in its early access career. But I wanted to write this preliminary review because I have been rather impressed by what I’ve seen so far. If I could sum it up in one sentence, I would say that The Sentient has accomplished more of the things promised by the developers of Pixel Piracy before entering early access than Pixel Piracy has managed to accomplish in the year since its full release.

As you can tell if you’ve read that earlier article linked above, I am no fan of Pixel Piracy; so why even bother with the comparison? Well, as much as I think Pixel Piracy is a clunky, buggy, superficial, bad-UI-ridden mess of a game, its premise is very strong: you take the exploration and RTS gameplay of FTL, and you add in deeper crew management and ship customization features. And this is exactly what The Sentient does, putting the player in control of a fleet of human scouting parties as they search the galaxy for the means to research, expand, and survive.

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[Game: The Sentient, Uncaged Studios, 2016]
Galactic Potential:

An Introduction to (and Cursory Assessment of) Uncaged Studios’ The Sentient

 was last modified: March 26th, 2020 by Daniel Podgorski

[Game: Terraria, Re-Logic, 2011]
Yes Half Measures:

5 Reasons You Should Play Terraria on Mediumcore Difficulty

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Introduction:

Any players of Re-Logic’s Terraria will know that difficulty levels in the game do not merely affect the stats of enemies. A ‘softcore’ (now also known as ‘classic’) character will only drop held money on death. A ‘mediumcore’ character will drop held money as well as held and worn items on death. A ‘hardcore’ character, when it dies, just stays dead. (Terraria possesses an overabundance of difficulty-related terminology, so, just to be absolutely clear: I’m not talking about normal mode versus expert mode or master mode, and I’m not talking about pre-hardmode versus hardmode.)
Terraria screenshot with home base - Re-Logic - Mediumcore Difficulty

These are pretty dramatic differences in consequences for each character’s demise, and as a result the vast majority of players choose softcore mode. Those looking to prove what they’ve learned, on the other hand, are likely to crank it up to hardcore immediately. My personal opinion is that both are sub-par options when seeking the best playthrough of the game.

Here is my one caveat to this difficulty advice: if you’re really just playing Terraria as an artist or an architect (i.e. you just like building things), then softcore obviously makes the most sense. But if you want the most enjoyable possible RPG adventure experience, then I highly recommend mediumcore. Here’s why:

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[Game: Terraria, Re-Logic, 2011]
Yes Half Measures:

5 Reasons You Should Play Terraria on Mediumcore Difficulty

 was last modified: August 26th, 2020 by Daniel Podgorski