Author Archives: Daniel Podgorski

About Daniel Podgorski

Daniel Podgorski is a Californian author, essayist, researcher, and web developer. On The Gemsbok, he provides art analysis (on literature, games, and films) and philosophy articles. His areas of expertise are literature and philosophy, with most of his academic research (as well as most of his informal research) focusing on intersections between the two. He has had poetry, short stories, and articles published in various academic and literary journals—and his short fiction has placed first in both competition and conference settings.

[Film: Jackie Brown, Quentin Tarantino, 1997]
Tarantino’s Odd Film Out:

The Uniqueness of Quentin Tarantino’s Jackie Brown

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Introduction:

Quentin Tarantino Sketch by M.R.P. - Jackie Brown - unique

Caricature Sketch by M.R.P.

Just like this week’s Mid-Week Mission, this will be a light recommendation to follow last week’s heavier entry (in the Theater’s case, last week was a criticism of the inconsistent philosophy of Slumdog Millionaire). And the film which I would like to recommend is Quentin Tarantino’s Jackie Brown.

Jackie Brown is certainly one of the two or three least viewed works in Tarantino’s catalogue, and it’s not hard to see why. Tarantino followed up two extremely violent dramas full of fast, aggressive dialogue with a slow-paced, traditionally structured heist movie. Jackie Brown centers on a stalwart stewardess and a cautious clerk, while relegating Robert De Niro and Samuel L. Jackson to roles as sleazy, unlikeable criminals.

In short, the movie was not at all what the audience was expecting, and was soon over-shadowed by the grandeur and gratuitousness of Kill Bill. But this is a film every bit as entertaining as his others, and totally unique in his oeuvre for many reasons, explored below.

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[Film: Jackie Brown, Quentin Tarantino, 1997]
Tarantino’s Odd Film Out:

The Uniqueness of Quentin Tarantino’s Jackie Brown

 was last modified: October 10th, 2022 by Daniel Podgorski

[Game: Offspring Fling!, Kyle Pulver, 2012]
A Hidden Gauntlet:

The Brutal Platformer Hiding Behind the Lovely Facade of Offspring Fling!

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Introduction:

After the heavy subject matter and dense theoretical prose of your last Mid-week Mission, I am just going to make this one a brief recommendation of another cheap, oft-overlooked indie product. This might just be another outlying opinion on a tiny title, but when it comes to Offspring Fling!, I love the game.

After beating Offspring Fling! casually (or as soon as you care to notice it), the real challenge of the title opens up: one of the most precise and challenging speed-run systems built into a game of which I am aware, which upon completion unlocks a suite of precision platforming bonus levels.

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[Game: Offspring Fling!, Kyle Pulver, 2012]
A Hidden Gauntlet:

The Brutal Platformer Hiding Behind the Lovely Facade of Offspring Fling!

 was last modified: October 24th, 2024 by Daniel Podgorski

[Work: The Handmaid’s Tale, Margaret Atwood, 1985]
The Once and Future America:

Margaret Atwood’s The Handmaid’s Tale, and the Consequences of (American) Society Yielding to Fear

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Margaret Atwood Sketch by M.R.P. - The Handmaid's Tale - America, tradition, conservatism, theocracy

Caricature Sketch by M.R.P.

Introduction:

One unfamiliar with the novel, or unfamiliar with Margaret Atwood, might be understandably mistaken about what sort of book lies behind the unassuming title The Handmaid’s Tale. The name conjures up images of Victorian romance and understated drama which could not be further from the reality: a brutal piece of mid-1980s dystopian fiction about life in a theocratic America.

A decade and a half before Atwood won the Booker prize for The Blind Assassin, the Canadian author was nominated for the award (and a host of others) for this mid-80s work of considerable power and brilliance. Anyone who prizes the introduction of more traditional ideals into a country’s governance ought to equip an open mind and give this chilling tale a read.

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[Work: The Handmaid’s Tale, Margaret Atwood, 1985]
The Once and Future America:

Margaret Atwood’s The Handmaid’s Tale, and the Consequences of (American) Society Yielding to Fear

 was last modified: October 10th, 2022 by Daniel Podgorski

[Topics: Moral Knowledge, Moral Realism, Pragmatism]
The Morality Pageant:

On the Relative Attractiveness of Moral Realism and its Alternatives

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Introduction:

The New York Society for the Suppression of Vice Emblem - moral realism - nihilism - pragmatismLooking back at my school days, I remember a Ph.D. student in the philosophy department remarking on the differences between moral realism (the system of thought that says that there exists a literal, objective morality) and its alternatives by appealing to the consequences of holding each belief.

The moral realist, he underscored, has the advantages of being able to say that society is making moral progress, and being able to say that some societies have been immoral at different times, such as Nazi Germany and slaveholding America. Moral relativists, moral nihilists, and all related parties, he pointed out, have no such recourse. So, surely, even if one is convinced that moral realism is false, this student concluded, it might be better not to mention that conviction ‘in polite company.’

In fact, the article by James Rachels which I discussed last week makes some very similar statements in its singular effort to refute cultural relativism. But is it true that believing morality is not truly objective is somehow uglier or less desirable than believing that there is an objective morality? To explore this, I will take a closer look at both sides.

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[Topics: Moral Knowledge, Moral Realism, Pragmatism]
The Morality Pageant:

On the Relative Attractiveness of Moral Realism and its Alternatives

 was last modified: March 26th, 2020 by Daniel Podgorski

[Film: Slumdog Millionaire, Danny Boyle, 2009]
All’s Unwell that Only Ends Well:

The Inconsistent Meaning of Life in Slumdog Millionaire

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Danny Boyle Sketch by M.R.P. - Slumdog Millionaire - analysis, meaning of life

Caricature Sketch by M.R.P.

Introduction:

The notion of an overarching, providential justice overseeing and directing all human events, while out of vogue in modern philosophy, remains a huge influence on popular culture. That this sort of determined or corrective justice acts not just generally across time, but within a given life, is a particularly attractive thought to the creators of the fictive tales of the film industry. The reasons for this are myriad, bringing to both content creators and audiences an appeasement of their desire to see good things happen to good people; their desire to see bad things happen to bad people; and their desire to witness miraculous or incredible events.

The 2009 Academy Award winner for Best Picture (and other categories) was Slumdog Millionaire, a case-in-point of the populace’s penchant for fictionalized treatments of karmic justice, as directed by Danny Boyle. This concept of overarching justice can be understood by its relation to the philosophical topic of internal meaning. For a human life to have internal meaning, it must be good for the person who lives it and it must include worthwhile activities (for a more detailed account of meaning, see this encyclopedia entry). Ultimately, Slumdog Millionaire seems to put forward a short-sighted account which contends that a life can be internally meaningful if it contains worthwhile activity and if, by way of some kind of providence, it ends up being good for the person who lives it.

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[Film: Slumdog Millionaire, Danny Boyle, 2009]
All’s Unwell that Only Ends Well:

The Inconsistent Meaning of Life in Slumdog Millionaire

 was last modified: October 10th, 2022 by Daniel Podgorski