Introduction:
I recently watched the film Who Killed Captain Alex?, a viral success on YouTube which claims to be “Uganda’s first action-packed movie.” It is a hilarious watch for most audiences due to its extremely low budget and the resulting creative special effects, not to mention the “video joker” VJ Emmie (the voice of a Ugandan, English-language commentary track which comments over the only existing version of the movie for the entire hour).
I have seen plenty of hilariously low-budget films, but what struck me about this one is one of the pre-show slides, which says, “He [producer/writer/director/cinematographer/editor Nabwana I.G.G.] never imagined anyone outside his own village would see this film.”
Film-as-Theatre and the Cult Film Phenomenon:
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![[Game: Journey, thatgamecompany, 2012] Not Lone nor Level Sands: A Thorough Ecocritical Analysis of thatgamecompany’s Journey](https://i0.wp.com/thegemsbok.com/wp-content/uploads/2023/12/Journey-screenshot-with-initial-view-of-the-mountain.png?fit=722%2C406&ssl=1&resize=200%2C200)
![[Work: The Stranger, Albert Camus, 1942] Smiling While Despised: The Ending of Albert Camus' The Stranger and the Beginning of Authenticity](https://i0.wp.com/thegemsbok.com/wp-content/uploads/2015/11/The-Stranger-book-cover.png?fit=262%2C400&ssl=1&resize=200%2C200)