[Work: The Denial of Death, Ernest Becker, 1973]
The Denial of Life:

A Critique of Pessimism, Pathologization, and Structuralism in Ernest Becker’s The Denial of Death

 

Ernest Becker Sketch by M.R.P. - The Denial of Death - critique, criticism, analysis

Caricature Sketch by M.R.P.

Introduction:

One of my more unexpectedly disappointing experiences in recent memory was reading Ernest Becker’s seminal work of psychoanalytic theory and cultural anthropology, The Denial of Death. Humanity’s obsessive self-distraction and self-delusion on the topic of mortality is something in which I am deeply interested, which is why numerous people had recommended the book to me over the years. With the unmitigated praise (and prestigious accolades) the work has received, I was excited to read what I assumed would be a stirring philosophical and cultural analysis of the titular concept.

The Denial of Death does make a very good first impression, as Becker is an erudite scholar and (drawing on the work of Otto Rank) a subtle interpreter of the theories of Sigmund Freud. But concealed behind the parade of theorists and the solid analytical prose (seemingly consciously concealed) is an old-fashioned, moralizing, pessimistic set of theses: that humanity is in denial of mortality because of a ‘necessary’ denial of the human body and reality; that humanity can only exorcise the dread of death by embracing blind faith and rooting out ‘aberrant’ thoughts and behaviors; and that death can only be truly faced by those who approach the study of humanity and society through a (reductive) structuralist lens.

I think all three notions are shockingly misguided and false, to the extent that I almost see the widespread adoration of the work as either a defensive scenario (where folks who are unable to follow the thread of Becker’s argument praise it, for fear of having to admit their ignorance) or an ironic phenomenon of self-assured conservatism (where tradition-biased academics embrace the work because it pats them on the back and insists that only they have already conquered death). While The Denial of Death does certainly have praiseworthy merits, those merits have been stated and overstated across the decades. Thus, in this article I shall explain Becker’s project with special emphasis on its flaws, by addressing each of those three aforementioned theses in turn.

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[Work: The Denial of Death, Ernest Becker, 1973]
The Denial of Life:

A Critique of Pessimism, Pathologization, and Structuralism in Ernest Becker’s The Denial of Death

was last modified: October 10th, 2022 by Daniel Podgorski

[Work: Candide or Optimism, Voltaire, 1759]
The Unexpected Joy of Despair:

Comedy and Tragedy (or Pessimism and Optimism) in Voltaire’s Candide

 

Voltaire Sketch by M.R.P. - Candide - comedy and tragedy - idealism and pessimism - philosophical optimism

Caricature Sketch by M.R.P.

Introduction:

“Voltaire was the wittiest writer in an age of great wits, and Candide is his wittiest novel.” – John Butt

With a few notable exceptions toward the middle, this brief, influential work by Voltaire spends every chapter spinning a denser and denser web of horrors and misfortunes for its principal characters, and for everyone they meet. Wars break out, destroying lands, cities, and people; innocents are burned and lashed as heretics; lovers are repeatedly separated and brutally punished; and murders and disfigurements occur often and without warning.

Yet, through all of the horrors, I would be hard-pressed to name five books I’ve encountered and found funnier or more charming than Candide. It is rare when three pages pass in sequence without eliciting laughter. The novella is packed densely with stinging irony and sharp satire, directed almost entirely at philosophical optimists who posit that humans live in “the best of all possible worlds.”

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[Work: Candide or Optimism, Voltaire, 1759]
The Unexpected Joy of Despair:

Comedy and Tragedy (or Pessimism and Optimism) in Voltaire’s Candide

was last modified: March 24th, 2023 by Daniel Podgorski